Victorious naval battles were even celebrated in women's hair dos. Natural hair arranged on wire was stuffed with cotton, wool, rope, horsehair, bran, straw, and other materials. Everyone competed with each other for the more ellaborate, complicated constructions. Soon women were wearing huge constructions on their heads, supported with wire and other materials. In the reign of Louis XVI the style became even more extravagent. She combed her hair straight back from the firehead and worn high at the front. It was Madame Pompedour that gave womwn's hair one of its most common modern features-wearing it without a part. On top of the huge ediface of hair was placed a cap or hat decorated with flowers or plumes. She had countless different styles and cortisons at the court had trouble keeping up with her. One of Louis XV's mistresses, Madame de Pompadour, played an important role in popularizing new elaborate hair styles. During the reign of Louis XV, French women were wearing lofty constructions of curls stiffined with wire, cloth, or other materials. This was imprtant as fashionable women throughout Europe, including England, followed French styles. Toward the middle of the 18th century, feminine coiffures in France became increasingly complex. Women in the last two-thirds of the 17th and the early 18th century wore generally simple hair styles. While wigs were primarily worn by adults, boys from affluent families might also wear a wig. The queues were secired with ribbon bows. There was a wide range of styles, but two basic types those worn with or without queues (pigtails). Many men had several wigs of different styles. No well-dressed gentleman in the 18th century would have thought himself completely dressed without a wig. Notice the drummer boy, also wearing a wig, tieing the ribbons to their queues. They were shaved and had their wigs powdered in one setting. Figure 1.-This 18th century drawing shows British soldiers undergoing wig dressing in preparation for guard duty.
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